Massu Engira Masilamani Tamil Movie

 

Massu Engira Maasilamani is a no-holds barred entertainer with all essential ingredients. There are twists and turns galore. Suriya sporting a ponytail as the Sri Lankan Tamil living in Canada, is the highlight of the film. He comes in at the interval point and steals the show. Massu Engira Masilamani (aka) Masss is a Tamil movie with production by KE Gnanvel Raja - Studio Green, direction by Venkat Prabhu, cinematography by R D Rajasekhar, editing by Praveen K. 07 /7 'Massu Engira Masilamani' - 2015 Suriya played the dual role as a father and son again in 'Massu Engira Masilamani', which was directed by Venkat Prabhu, as a criminal Maasu, and as an. Massu Engira Masilamani Watch the Official Trailer, Teaser, Sneak Peaks, Events & Making Videos of Tamil Movie Massu Engira Masilamani NETTV4U.

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This is the season where the genre of Horror Comedies are at peak. Its popularity is such that the artists and directors of more star value choose to implement a project of the same sort. None other than anything, we are referring to Venkat Prabhu‘s Massu Engira Masilamani @ Massu.

Without any further delay, lets move on to its storyline. It is nothing but the superpower, a human gets to see, interact, and help kind hearted ghosts. Doesn’t this one liner sound different for a horror comedy? Is this not enough for the entire two and a half hours?

Talking about the artists, Massu has Surya in dual role (Masilamani and Shakthi), Premji, as Masilamani’s friend, has a considerable screen space and does a neat job. In addition, Parthiban and Pranitha (Saguni fame) give extended cameo appearances. One gets a feel that Nayanthara, who is supposed to be the heroine, is also in a cameo role. Surya‘s performance during critical scenes, the portrayal of ghosts interacting with a human, the funny moments associated with it (thanks to Karunas, Sriman, Brahmanandam, Rajendran, and Shanmuga Sundaram for adding a lighthearted flavor), the Sri Lankan Tamil accent of Shakthi, and the surprising interval block, creates a good and effective impression about the movie and increases expectation about the rest of the film. But unfortunately, the cliched post interval sequences with an ineffective and an unnecessary villain (Samuthirakani) lets us down.

Like other Venkat Prabhu films, Massu also has references, dialogues, and BGMs from many other movies. But in Massu, one can say that the saturation level had been almost reached. Vaaranam Aayiram, Engeyum Eppothum, Kaththi, Mankatha, Goa, Veeram, and the list goes on. Moreover, one gets reminded of the director’s previous ones, when the faithful Aravind Akash, woozy Vijay Vasanth, and non – human Jai appear on screen.

Switching over to the technical side, Yuvan Shankar Raja‘s music and BGM doesn’t allow one to find faults even though the output doesn’t sound like the one from a Venkat Prabhu – Yuvan combo. R. D. Rajasekar’s cinematography is saving the film in many places and enhances its quality to an extent. When it comes to Venkat Prabhu films, one always looks for sleek and stylish editing. Getting reminded of the cuts in Mankatha trailer now. Editor Praveen‘s editing is just for a film like Massu. The crew could have concentrated more on the CG and VFX portions as it failed to create impact in few places.

The well executed horror comedy in the first half could have been extended to the second half as well, in order to make Massu as Venkat Prabhu’s best. After a point of time, one gets confused on whether the movie is a horror comedy or a usual revenge story with ghosts coming out after the soul departs. In fact, the villain domination and payback portions are so outdated that they take the viewers back to the 90s era of commercial cinema.

With all the above positives and negatives, Massu seems to be a slight bounce back for the hero as well as the director, as their previous films didn’t do well. Maasu Engira Masilamani @ Massu (A Venkat Prabhu Sixer) – The ball pitches before the boundary line. 5/10

Introduction

After successive hits with his first five films, director Venkat Prabhu delivers what is probably his best film to date – Massu Engira Masilamani. The film stars Suriya, Nayantharan and Premgiamaren in the lead roles. The impressive supporting cast includes R. Parthiban, Pranitha, Samuthrakani, Karunas, Shriman, Rajendran, Riyaz Khan, Manobala, Bhramanandam, Subbu Panchu. There are also special guest appearances by Jai, Vijay Vasanth and Aravind Akash.

Plot Summary (Contains NO spoilers)

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Masss or Masilamani (Surya) is a conman who devises numerous schemes to get his hands each time on large sums of money. His priorities change somewhat when he meets the Malini (Nayanthara) a nurse who is struggling to obtain a permanent position in the hospital where she works. After a brief romance, Massu decides to help Malini but things don’t quite go as planned.

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Acting

Surya plays his role to perfection, moving effortlessly from emotion to emotion and donning various looks. His is an imposing screen presence that dwarfs the efforts of the others, Premgiamaren is in scintillating form with many delightful one-liners and his characteristic expressive face. Nayanthara does well but does not have much screen time. R.Parthiban is in yet another delightful role that leaves one longing for more. Rajendran, Shriman and Pranitha are the best of the others.

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Screenplay and scripting

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Despite a relatively slow start to the film that is hardly a dull moment from the opening to closing credits. There are any references to films, old and new, and somebrilliantly satiristic lines and scenes. Venkat Prabhu has kept his audience fully engaged with many twists and surprises and still managing to infuse elements of comedy, drama, romance, the supernatural and action. The film also touches on various pertinent social issues.

Massu Engira Masilamani Tamil Movie

Soundtrack and Music

Yuvanshankar Raja’s background score is top notch but his songs fall way below expectations. With the exception of the title song, the only other memorable song is Poochaandi.

Cinematography

R.D. Rajasekar’s cinematography was, for most of the film, very impressive but I didn’t quite understand the techniques used in the initial ship scenes.

Direction

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Venkat Prabhu clearly did not set out to make a landmark exploratory or experimental film. Instead he has created a family film designed to provide escapist entertainment. I do, however, think that an all-ages rating was generous.

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Summary

Masss is delightful entertainment with many twists and turns to keep one engaged. Its strong comedy quotient makes it one of the most entertaining films of this year.

Rating : 8 / 10